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ShangXian

20 Art Reviews w/ Response

All 43 Reviews

I really love the choice of the subject, being an avid bird lover, especially of corvid family. I like the simplicity of the cityscape and the choice to put the focal point towards the right side of the painting.

The only things I feel to point out is the hue of the cityscape, the limited colour palette of the sky and clouds make it stand out not so effectively despite buildings are visible and distinguishable. The shades on the bottom part of the cloud follow too much the basic hue of the sky. Maybe working with complementary colours would add a bit of chromatic variety. Despite this I really like the lighter outline on the top of the cloud because it's receiving light from above. I also understand that you wanted to focus on the bird rather the bg, so it's a valid choice.

Another element I feel makes the composition fall flat in terms of colours is the lack of shading on the branch where the raven is perching. I see the different brown hues on it but I don't see for example the shade thrown by the bird. This would have added more realism to the composition. I like how the branch colour stands out the blue environment though.

Despite this nitpicking (hence my 4.5 vote), I really like the overall structure, each part is unique if the Rule of Thirds is used and the raven is beautiful. Nice details, shading and highlights. I like his/her pose too because it feels natural and that's how ravens would turn their head if they notice something that catches their interests. I know that pixel art can be challenging and painting with it can be even more challenging so I commend you for this variety of subject. Your gallery is really cool and I like your geometric style, so keep it up!

KrecekOnNG responds:

Wow. I hugely appreciate your response! I also have a reasoning for a few things you pointed out.

1. The BG was very rushed. I basically reused the idea of the sky BG from my pixel arts "Aloft" and "In Memoriam" (changing the green HSV value by 4). The cloud was a result of an internet tutorial; I basically took the hue of the BG, shifted it's brightness a couple of times, and then just messed around with 'em.

2. I forgot to put the shade below the raven. I did. I made the raven and the branch separately, and when I overlaid them, I forgot to add the shade that could've made the artwork seem more realistic.

Also, this isn't actually a painting. I just tried to think of a neat title to my upcoming series of pixel arts, and "Painting With Pixels" was my first idea. But yeah, it was pretty hard to make.

Thanks for such lengthy review! Corvids are among my favorite families of birds too! I hope that you will like my future installments too. Also sorry for not responding for a while, I've just been busy. Bye!

I love this template and I will use it in future since I am discovering so many cool NG characters I already love. Nice style, colouring and shading^^

Just a question though: what does YOUR NG character mean? Shall I draw one of my OCs as if they were a NG character?
Awesome template. I will definitely do and thanks for making it.

Picochu responds:

I'M SO GLAD TO HEAR! I can't wait to see who you make with it!! And yes, the Your NG character pretty much means your own OC! Whichever one you think fits the NG spirit ^^

You are thinking about doing a collab on NG

PLJerry responds:

Well, wrong answer, I'm still doing an animation project for a collab, but good point for trying to figure it out what I'm thinking.

First welcome to Art Portal, second I commend your technique and skills. I checked your Cara account and I've noticed another cool artwork that really caught my interest at checking and voting your work here on NG. I have to say the style is truly pleasant to look at, the light colours and shading are combined in a balanced way that give a videogame artbook vibe. I also noticed you used Krita, that's cool! I use it too and I love how many effect one can achieve, ofc your technique is superior to mine which I have still a lot to learn.

I like the character design of the two main subjects of the composition, it makes them easy to memorize and recognize. But what I love the most is the curious expression of the young girl looking at the lizard on the butler's knee, it's a nice balance between the curiosity typical of young people and inner calm of elderly people. The fact they have bags makes me think they are on an adventurous journey and I image this journey to be a fantasy one or at least the warm colours and lighting give me as feeling.

I really hope to see more Art from you because it's truly beautiful and pleasant to look at. Maybe we can explore the worlds these two are going to visit with your works^^
Keep it up!

CaioNOG responds:

Thank you for the kind words, is truly the best feedback on my art i ever read. I hope you like the next ones to come 🎨🖌️

It's a bit hard to me what I love the most about this gorgeous piece, let's start from colours:

-colour is the first thing that caught my interest and among colours I can divide what caught my interest into two sub-categories: 1) hues and 2) types of colours.
hues: I love how the main hue theme is in the warm colour category despite the use of different green shades that blend nicely the overall composition. It truly gives a forest vibe!
types of colours: I love the combination of olive green, avocado green, apple green of the leaves with copper brown, tan and godenbrown hues of the tress. It helps to create a natural environment that feels natural. The scarlet red of the fox's fur is truly enchanting and not only creates a great focal point to the main character by making him stand out but enriches the woods too. So everything is well balanced and each element highlights each other. The lack of shading and highlight is not a problem because the balance of the style, the aim of this work and use of colours work in a harmonious way and not all pieces must have shadings or highlights to be visually appealing if other elements are combined in a balanced way, plus a surreal work does not necessarily need shadings/highlights. It depends on the artist's main goal in his/her work.

The second element that struck me was the use of neat and visible linearts:

-linearts are so pleasant to look at that makes the work even more fantastic and I like how the use of prevalent curved lines gives a sense of safety or a neutral-natured environment. Both fox and trolls look pleased at each other, not bothered at all and overall friendly/curious. To sum up I just love how linearts play alone as motif and pattern in this surreal world that strongly reminds me a children book about Scandinavian creatures. I love how trolls are depicted here: curious, intelligent, not-threatening and in harmony with Nature.

The third element I loved so much is the style itself. The unity itself of the composition is superbly reached with combination of colours, linearts and style. The surreal and cartoonish-like style reminds me of those independent animations I sometimes stumble on internet. In a way it gives me Felix Colgrave's animated works.

The chromatic contrast may be sharp but work in its entirety is pure harmony!

p.s. welcome to NG and congratulation on Frontpage, totally deserved. I hope to see other amazing stuff from you, keep it up!

T-Pattz responds:

OMG, thank you so much! I appreciate the kind words. <3

I am absolutely amazed by the high level of details and technique used here. The curved lines of neck, legs and tail make this creature appealing to observe and I love the fusion of demonic, western and oriental dragon elements. Those horns truly look like a crown of a dark prince and I find a nice touch that this creature has fingers of different number: four in the wings, five of the hands and three toes.

One thing that caught my interest was the perspective of the left wing. It's gorgeous because it conveys the raw power this creature has as if he were ready to grab you. The red sclera fits well his malefic intents and I love those jaws, so primal and fantastic.

Despite the lack of a background the angle at which the creature is positioned, colours and overall design are more than enough to fully appreciate this work. Amazing job, frontpage well deserved!

RavenCorona responds:

Wow, thank you so much!! I'm really happy to hear that! ^^

There is something charming in each process that made possible the existence of this cool artwork!

Let's start from the sketch: I love how the rough linearts guide the viewer in the overall idea. Not all sketches are able to show immediately the core idea of an image since they are mainly used as a personal guide for the artist about how to direct future cleaned linearts, perspective and overall idea. I love it

Clean linearts: I love how clean, neat and pleasant to look at they are. The opossum eyes in the lineart are extremely cute and adorable. I also love how tiles of place where the opossum is sitting disappeared in the lineart compared to the sketch whereas they were added in the windowsill where the radio is. I like this sense of evolution of the composition and I admit the lineart would fit well in a short animation too. I am picturing the guy in the act of washing taters.

Flat colours: I love how they make the overall work look like an indie animation for an upcoming cartoon show I would gladly watch because of the wholesomeness this gives me. Flat colours helped to define even more the idea of the work by combining the sketch and lineart phases together.

Final product: I simply love the contrast that the final product (painting) gives compared to the flat colour phase. The flat colour phase gives me a feeling of movement (act of washing) while the painting gives me a childhood illustration book with its fixed shapes, volumes, shading and colours. I love the oil painting-like effect this gives me especially on the walls, the flooring and the door.

I simply adore the little details like the plants and grass growing from the floor, when I walk and see this I see life coming through hardships and I love it. This piece it's a nice and lovely slice of life from people who enjoy small things like washing taters or performing other daily activity. Fantastic job on everything!

Lundsfryd responds:

Thank you for your very nice review. I appreciate it.

This is simply stunning starting from the overall composition that gives a nice depth touch to the environment. The shades projected by plants, bushes and trees give a nice natural vibe as if you were really in that forest. I like how you can feel each texture of this forest, from the wood, to fungi, leaves, stones and grass; everything combines in a perfect dance of vivid colours and 3D-like volumes. Both panthers look fantastic, I can feel the raw power from Cameron's panther and the curiosity in the real life counterpart with that cute lifted paw.
I like how both seem curious at each other and seem to interact in a playful way (the lifted paws, the tilted head of Avatar's panther just to mention some).

I also enjoyed the animated gif that showed the entire making of the project. I find it inspirational for those who want to start practicing pixel art and I like when people decide to share how they make their stuff. Congratulations!

Everything feels so natural, I love it!

p.s. I am still trying to find the two leaves that made it in the final image even though it's not easy due to the high level of details, but I am having so much fun at trying to find them nonetheless because I love when people make their work interactive^^

Zanzlanz responds:

This is literally the most thoughtful review of any drawing I've made, thanks so much for this nice surprise today! :>

I'm really happy you felt things turned out natural. The curiosity of both creatures is definitely the driver here, which is probably an unusual portrayal of the Thanator in particular - but I love when there is some ambiguous tension in scenes like this.

I thought I knew where both of the leaves were, but I can only spot one of them right now haha! It's harder than I remembered!

Thank you again!!

Wow, I am simply enchanted by the overall composition of this masterpiece. I love the glare the ballerina has, there is a mix of elegance, concentration and determination through her gentle eyes. I love strokes of the clothing, you can sense with your eyes the texture of the leotard and skirt. I can see the silk-like texture in those superb colour blends and shades especially in torso area. I love how the background strongly reminds me a galaxy or a starry sky instead of the interior of a theatre, because the combination of lights, dark areas and colour choice give me this feeling and I love it since it allows to make Princess Odette stand out superbly.

I suppose it's Princess Odette judging by the attire and wings not to mention the title of the work, but I could be wrong. Anyway I am impressed how this work speaks elegance from the character and excellent artistic skill from you. I like to think this is Act two, Scène. Moderato, where she meets for the first time Siegfried, in fact I can sense a bit of fear in her eyes, especially on the left eye and the slightly frowned left eyebrow but maybe it's just me.

I also like to image that the ballet dancer is a talented Russian dancer who trained herself extensively in one of the two main methods adopted in Russia the Vaganova method and the Legat Method. I love how this work is letting my mind to brainstorm.

Asides from the theme of the work, she also reminds me of an angelic figure, an entity of light descending on earth. I could admire this gem hours and hours, you did an astonishing work!

sekim0118 responds:

I'm glad you liked this piece!
This is the revised version of my old work(you can find it in my gallery if you want) and I thought it was a perfect choice to paint over since the former design lacked the vibes that Odette has, which I didn't like.
Your appreciation really inspires me. Thanks for the compliment :D

May I say that this artwork gave me a warm feeling of affection and love? I explain myself better. When I first saw the image I thought the creature was about to lure the poor child with a toy, but then I read the story and got compelled by its narrative and unexpected nature. I didn't image the creature was the father but I got happy knowing how the story evolved. I like how the initial narrative, combined with the visual effects (shades, hues, brush strokes, etc.) gives a gloomy vibe that evolves into something wholesome. I like how the father speaks through actions and actions speak louder than words many times. This piece reminds me of the trope of the Benevolent Monster and now I wonder the backstory of these two chracters.

I would like to see and explore better their stories. You did a really superb job both visually and on an narrative level.

Serafin-corpse responds:

Awwww, thank you very much for your comment and thank you for taking the time to read the story, I really appreciate it, when people comment nice things like this it really makes me want to continue making these types of drawings with back stories.💖

The more I discover about Newgrounds, the more I see different worlds, flavours and hues.

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